"Musical Interlude" by George Schreiber, (Amer., 1904-1977) Linocut As is common with the

As is common with the texts in Kent's work

on thin buff wove paper with small but full margins

Though the publication itself is not named

Ernest Roth's Italian prints of Venice were recently the subject of a traveling exhibition organized by Eric Denker of the National Gallery of Art

Magnelli's reductive use of his characteristic branched shape revealing the color of the paper set against the warm reddish brown at left and blue at right

"Musical Interlude" by George Schreiber, (Amer., 1904-1977) Linocut As is common with theLithograph, 1954, AAA Ed. of 250, 9 7 8 x 13 5 8, signed in pencil, on cream wove paper. Traces of mat line and toning within mat opening, old masking tape hinges top margin center and corners verso. A wonderful composition, one of several prints on an orchestral theme by the artist.