Sofie Verclyte et al. / Migrating Heritage architecture Philippe Vander Maren

Philippe Vander Maren

Callemin returns to the photo studio and uses physical materials like clay and plaster to explore how perception can be deceptive

The artist confronts us with a Switzerland of mediocrity that oscillates between urban identity and pro-vincial character

The first edition was in the hands of Erwan Bouroullec

The work has particular emphasis on the technicality of analogue photography so as to ground it within the limitations of its practises

Sofie Verclyte et al. / Migrating Heritage architecture Philippe Vander MarenDisruptive life events, devastating experiences of loss and harm, and human rights violations often urge to narrate and share these experiences. Yet, because of their painful and overwhelming nature, they can simultaneously hinder expression and communication in (exclusively) spoken or written language. In Shatila, a refugee camp in the South of Beirut, the language of embroidery has been present since it was established in 1949 to host Palestinian