IBRAHIM HESNAWI - The Father of Libyan Reggae LP Stoner and the 9th to 16th

and the 9th to 16th beats symbolize the quantum space (emptiness)

translating brushstroke to sound

The second half is a collaboration with Chinese virtuoso Erhu player Jiang Jian Hua

Since the release of their last album (2012's Runner)

a sonic arts and math academic student at the University of Michigan

IBRAHIM HESNAWI - The Father of Libyan Reggae LP Stoner and the 9th to 16thHesnawi crafts restless grooves with evident buttressing from a reggae foundation. Highlighted across the LP is how Hesnawi essentially pioneered such an effortless synthesis between traditional Libyan music and Jamaican reggae stylings, plus the endlessly disparate funk, jazz, and disco accents which firmly situate Hesnawi in a league of his own. In many countries, reggae was a widespread fad before its popularity gradually subsided. In Libya,