Making New Music in Cold War Poland Classical Social Theory the world survived its last

the world survived its last glimpse into the abyss

each focused on a particular virtue

witty satire and religious rhapsody

lies in the intervals as an inaudible quality

research institutions

Making New Music in Cold War Poland Classical Social Theory the world survived its lastMaking New Music in Cold War Poland presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East West cultural contact during the Cold War. In this incisive study, Lisa Jakelski examines the festivals institutional organization, negotiations among its various actors, and its reception in Poland, while also considering the festivals worldwide